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Why it fits

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Data by JustWatch

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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

Try

Songs that feel like When Harry Met Sally... (1989)

The witty, conversational warmth of two lives slowly weaving together against the crisp, autumnal backdrop of Manhattan.

  1. Autumn In New York by Billie Holiday: It captures the exact romantic melancholy of walking through Central Park under a canopy of falling leaves.
  2. It Had to Be You (Big Band and Vocals) by Harry Connick Jr.: The definitive sonic signature of the film, blending vintage charm with playful romantic inevitability.
  3. My Baby Just Cares for Me by Nina Simone: Matches the sharp, witty banter and sudden realization that the right person was there all along.
  4. Take the "A" Train by Duke Ellington and His Famous Orchestra: Evokes the bustling energy of crossing Manhattan in cabs and rushing to meet someone special.
  5. Sunday Morning by The Velvet Underground: Provides that gentle, slightly hungover daylight feeling of waking up beside a new love.
  6. You Make Me Feel So Young by Frank Sinatra: Captures the buoyant, giddy giddiness of finally admitting deep-seated feelings.
  7. Our Love Is Here to Stay by Ella Fitzgerald: Reflects the long game of friendship slowly morphing into a permanent romance.
  8. Chelsea Hotel #2 by Leonard Cohen: A nod to the cynical yet deeply sentimental underside of urban romance and complicated history.
  9. New York State of Mind by Billy Joel: Anchors the entire emotional landscape firmly in the streets, diners, and apartments of New York.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night drivingurban lonelinessnoir romancehypnotic
See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. Collateral poster Film 2004 Collateral A taxi ride through LA after dark with an unsettling, magnetic killer. Miami Vice poster TV 1984 Miami Vice The original neon, synth-driven nighttime cool of cars, cops and pastel dread.

How it works

  1. Listen

    We find the exact song on Deezer or the exact film on TMDB, plus listener tags from Last.fm like "post-punk", "road trip" or "melancholy".

  2. Describe

    An AI model turns it into themes, moods, a setting and an era: the things a film and a song can share.

  3. Match

    Those themes become picks that we check against TMDB and Deezer, so every film and song is real.

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