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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like Paul by Big Thief

A tender, melancholy meditation that feels like watching a quiet sunrise over a misty field.

  1. The Last Black Man in San Francisco (2019): A gentle, poetic portrait of longing for a place and a person, matching the song’s wistful intimacy.
  2. Paterson (2016): Jim Jarmusch’s quiet ode to everyday poetry mirrors the song’s calm, reflective mood.
  3. Manchester by the Sea (2016): The film’s subdued grief and beautiful, stark visuals echo the melancholy and hopeful undercurrent of “Paul.”
  4. A Ghost Story (2017): Its slow, ethereal pacing and focus on memory and loss resonate with the song’s haunting ambience.
  5. Eternal Sunshine of the Spotless Mind (2004): A tender, bittersweet exploration of remembering someone you can’t hold onto, just like the lyrical yearning in “Paul.”
  6. The Secret Life of Walter Mitty (2013): Its dreamy, open‑road cinematography and quiet inner journey match the song’s sense of wandering through memory.
  7. The End of the F***ing World (2017): A darkly poetic, indie‑styled series that captures the same blend of melancholy and fragile hope.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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