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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like I Touch Myself by Divinyls

A playful, bold burst of confidence that celebrates owning one’s own desire.

  1. Thelma & Louise (1991): A road‑trip anthem of two women seizing control of their lives, matching the song’s rebellious, empowering spirit.
  2. Jennifer's Body (2009): A darkly comic horror‑comedy where a young woman embraces dangerous sexuality, echoing the song’s cheeky confidence.
  3. Heathers (1989): Sharp, sardonic 80s teen rebellion that pairs with the song’s edgy new‑wave attitude.
  4. Atomic Blonde (2017): A stylish, ultra‑confident female spy who owns her power and sexuality, mirroring the track’s boldness.
  5. Buffy the Vampire Slayer (1997): A witty, action‑packed series where a teen girl balances power, sexuality, and humor—perfectly aligned with the song’s vibe.
  6. Girls (2012): A contemporary look at young women navigating desire, ambition, and self‑ownership, echoing the track’s modern feminist tone.
  7. Sucker Punch (2011): A visually flamboyant, fantasy‑action film that revels in female empowerment and stylized rebellion, matching the song’s punchy energy.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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