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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like Bad Things by Jace Everett

A smoldering, dangerous seduction where the singer admits that desire makes him want to do bad things with you, steamy and wicked in a Southern night haze.

  1. True Blood (2008): The song is its opening theme, and the show is the same sweaty, sinful Louisiana vampire lust.
  2. The Originals (2013): Vampires, dark seduction and power struggles in the shadowy streets of New Orleans.
  3. The Vampire Diaries (2009): Brooding Southern vampires and forbidden romance with a dangerous pull.
  4. Interview with the Vampire (1994): Louisiana gothic, sensual immortals and temptation soaked in decadence.
  5. Angel Heart (1987): Steamy, sinful New Orleans noir where desire leads somewhere dark.
  6. From Dusk Till Dawn (1996): A grimy roadside bar turns into a pulpy, lustful vampire nightmare.
  7. True Detective (2014): Humid Louisiana gothic with menace and sin underneath the heat.
  8. Twilight (2008): Forbidden attraction to a dangerous vampire is its beating heart, from the same year.
  9. Sinners (2025): Mississippi Delta juke joint, blues, vampires and temptation in a sultry Southern night.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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