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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like You're The One That I Want by John Travolta (with Olivia Newton-John)

A giddy, flirtatious burst of romantic transformation, where a good girl turns bad and the couple finally meet on the same wavelength, all danced out in 1950s-by-way-of-1978 fairground fun.

  1. Grease (1978): The song's home: Danny and Sandy's leather-clad carnival showdown.
  2. Grease 2 (1982): Returns to Rydell with another round of T-Birds, Pink Ladies and a bad-boy-meets-good-girl twist.
  3. Hairspray (2007): A bright, high-energy teen musical with period costumes and romance.
  4. Cry-Baby (1990): A 1950s good-girl-meets-delinquent romance played for camp and rock 'n' roll fun.
  5. Back to the Future (1985): Affectionate 1950s high school nostalgia with a dance and a romantic spark.
  6. Saturday Night Fever (1977): Travolta at his disco peak, with the same swagger and soundtrack-driven energy.
  7. Happy Days (1974): The sitcom that defined 1950s teen nostalgia in the 1970s, with leather jackets, diners and crushes.
  8. Grease: Rise of the Pink Ladies (2023): A prequel series that brings back Rydell High's 1950s rebels and musical numbers.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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