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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like Stay (I Missed You) by Lisa Loeb & Nine Stories

A quietly aching, self-aware look at a lost relationship, with a shrug on the surface and longing underneath.

  1. Reality Bites (1994): The song's home: Lelaina, Troy and Vickie's postcollege drift and unresolved love, with Loeb's hit playing over the film's ending.
  2. Singles (1992): Twentysomethings fumbling through romance with a 90s alt soundtrack and a wry, wistful tone.
  3. Before Sunrise (1995): A tender, talky 90s romance about connection, timing and the fear of letting someone go.
  4. Empire Records (1995): Slacker-era youth, a great mid-90s soundtrack and the same mix of humor and ache.
  5. Friends (1994): Mid-90s New York twentysomethings, coffee shops and on-again, off-again love.
  6. My So-Called Life (1994): Earnest 90s longing and unspoken feelings, with the same raw but gentle emotional honesty.
  7. Garden State (2004): A drifting twentysomething, a mixtape soundtrack and a hesitant, bittersweet romance.
  8. Frances Ha (2013): A modern take on aimless New York twentysomething life, wry and affectionate with an undercurrent of loneliness.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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