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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like Fields Of Gold by Sting

A tender, wistful love song of lovers lying in barley fields in summer wind, shadowed by the bittersweet knowledge that time passes and love is remembered rather than held.

  1. Pride & Prejudice (2005): Windswept English fields, golden light and longing romance that echoes the song's pastoral yearning.
  2. Far from the Madding Crowd (2015): Hardy's rural England of harvests, love and loss, shot in glowing wheat-gold light.
  3. Atonement (2007): A summer English romance remembered across decades, with that same ache of love held only in memory.
  4. Tess of the D'Urbervilles (2008): Farm fields, seasons and doomed tender love in the English countryside.
  5. Cranford (2007): Gentle, nostalgic village England with quiet romances and the passage of time.
  6. Days of Heaven (1978): Wheat fields at golden hour and a fleeting love, one of cinema's most beautiful harvest images.
  7. Gladiator (2000): The hand brushing wheat at home is the ultimate golden-field image of love and longing remembered.
  8. Poldark (2015): Sweeping English landscapes and a long, weathered romance of promises and time.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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