Films and TV shows that feel like All Tomorrow's Parties by The Velvet Underground
A cool, detached, fading-glamour portrait of a decadent scene where beautiful people drift toward a party that never quite ends, tinged with melancholy and doom.
Factory Girl (2006): Edie Sedgwick's rise and ruin inside Warhol's Factory, the exact world and Velvet Underground circle the song haunts.
I Shot Andy Warhol (1996): Valerie Solanas and the Factory's glamorous, dangerous underbelly in 1960s New York.
Velvet Goldmine (1998): Glam-era decadence, artifice and fading stardom with the same cool, drifting allure.
Basquiat (1996): Warhol appears in a downtown art scene where fame, excess and alienation collide.
Last Days (2005): A hushed, drifting meditation on a doomed musician, matching the song's melancholy fatalism.
Control (2007): Stark black-and-white portrait of an intense, doomed music scene with deadpan cool.
The Velvet Underground (2021): Todd Haynes' documentary on the band itself, steeped in Warhol, Nico and 1960s experimental New York.
Mrs. America (2020): Skip it for the era's politics; better: swap in Halston for its glittering, hollow New York party world.
What a search gives you
Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.
Song
Nightcall
Kavinsky
A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.
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