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Pick a song. Get films that feel like it.

We read a song's mood, themes and setting, then find films with the same feel.

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Films and TV shows that feel like Live And Let Die by Wings

A swaggering, high-stakes spy-adventure rush that swings from calm piano to thundering orchestral chaos, with a wink of danger and showmanship.

  1. Live and Let Die (1973): The film the song was written for, with Roger Moore's Bond, the bayou boat chase and Baron Samedi.
  2. The Man with the Golden Gun (1974): Moore's next Bond keeps the same 1970s camp, exotic locations and a rousing theme.
  3. The Spy Who Loved Me (1977): Peak Moore-era Bond spectacle, with a big pop theme, lavish stunts and a charming tone.
  4. Moonraker (1979): Over-the-top 70s Bond excess, with grand orchestral set pieces and cheeky humor.
  5. Shaft (1971): Gritty, stylish early-70s urban cool with a legendary theme song, and a Black hero in a world of crime.
  6. Casino Royale (2006): A modern Bond with a thunderous theme, high-stakes danger and ruthless edge.
  7. Austin Powers: International Man of Mystery (1997): A loving parody of the swinging, flamboyant spy era this song embodies.
  8. The Persuaders! (1971): Roger Moore stars in a glamorous early-70s adventure series with that same suave, playful danger.

What a search gives you

Nightcall by Kavinsky, read for its mood and setting, then matched with films and shows.

Nightcall cover art
Song

Nightcall

Kavinsky

A lonely, neon-lit nocturnal drive where a quiet predator-turned-protector offers redemption in a cool, detached whisper.

night driving urban loneliness noir romance moody

See all 8 picks
Drive poster Film 2011 Drive The song's home: a silent driver, neon LA nights, and tender violence. Thief poster Film 1981 Thief Michael Mann's rain-soaked, synth-scored nocturnal crime study of a lone professional. To Live and Die in L.A. poster Film 1985 To Live and Die in L.A. Slick, neon-drenched 80s LA with a pulsing electronic pulse and moral decay. Only God Forgives poster Film 2013 Only God Forgives Refn's hypnotic, red-lit nightmare of stylised violence and cold detachment.

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